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Crash Kid still represents a pivotal figure in the development of Italy’s Hip-Hop movement
But what catches the eye in his images is this African light that he manages to bring even to a place like Rome
Say goodbye to plastic
the Musée d’Art Moderne de la Ville in Paris (1975)
writes a message to JR at the start of the book
Mohamed Keita “Rome 10/20” scoop neck Crash Kid still represents a"This was all I had, this image represents two points at the same time, coming and going." With simple words and of rare intensity, the Ivorian photographer Mohamed Keita describes the first photo of his Rome 10 20 project, published by Punctum publishing house, which decided to embark on a crowdfunding project to make it happen. Mohamed Keita talks about himself at a distance from the outskirts of Bamako where for a few weeks he has been working in
